
On Monday I heard a very interesting lecture on the history of the Palace of Whitehall, which reminded me of my visit back in 2017.
The first record of occupation of this site comes from the 14th century when it was occupied by York House, the London residence of the Archbishop of York. It was in 1514, that the then Archbishop, Thomas Wolsey, occupied the house. As he grew in favour with Henry VIII, the King would often visit him here. But by 1520 the relationship between the two had begun to sour – Henry stripped him of his assets in southern England and the palace passed into royal ownership. At this time the Royal family didn’t have a residence in Westminster. The old Palace of Westminster had been destroyed by fire eight years earlier and the king had been living at Lambeth Palace. He seized his opportunity and embarked on a massive rebuilding programme to turn the Archbishop’s residence into a royal palace, adding extra buildings, a tennis court and a tiltyard. But at this time a banqueting hall was a temporary structure erected in the gardens when required. There is a record of one being erected for the marriage negotiations of Elizabeth I with the Duke of Alencon in 1581 and it seems at this time that somebody decided that perhaps it was more efficient not to keep taking it down and putting it back up again, but simply to leave in place and it remained on the site of the current banqueting hall for the next 25 years.
In 1606 James I decided to remove this ‘temporary’ building and build a permanent Banqueting House, which opened in 1609. It lasted only 10 years before it was destroyed by fire. The new building was designed by Inigo Jones with ceiling paintings by Rubens. These were painted in his studio in Antwerp and shipped to London for installation in the Palace. There is no evidence that Rubens at she ever saw them in situ as he did not accompany them.

The Civil War of 1642 to 1649 came to its great climax at the Banqueting House, chosen as the site of execution for King Charles I after he had been found guilty of treason. On 30 January 1649, the king was brought there from St James’s Palace, led up through the galleries and out through a window onto the scaffold. I can’t help but wonder whether there was some deliberate ploy in this to give him a final reminder of what had been as he experienced the lavishly painted galleries on the way to his place of execution.